SKU: LM.26626
ISBN 9790230966269.
BACH : Bourree BWV 996 (suite n. 1 pour luth) - Polonaise BWV Anh.119 (Petit livre d'A.M. Bach) - BEETHOVEN : Marche funebre (Symphonie n. 3 Op.55) - CHARPENTIER : Prelude (Te Deum) - DI CAPUA : O sole mio - JOPLIN : The Easy Winners - KUHLAU : 6 Petites variations (Op.42 n. 1) - LISZT : Rhapsodie hongroise n. 2 - MOZART : Concerto pour piano n. 23 KV 488 (theme du 2e mvt) - PONCHIELLI : Danse d'heures (La Gioconda) - STRAUSS (fils) : Tritsch Tratsch Polka Op.214 - Le Sang viennois - TCHAIKOVSKI : Danse des mirlitons - WAGNER : Marche nuptiale (Lohengrin) - Choeur des pelerins (Tannhauser) - TRADITIONNEL : Guantanamera.
SKU: LM.PIA63
ISBN 9790231711707.
SKU: LM.P02245
SKU: LM.C05971
ISBN 9790230359719.
SKU: BT.ACF016872
SKU: LM.27093
ISBN 9790230970938.
SKU: HL.50610016
Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece No. 13 is based on the Rákóczi March, which Liszt set on several occasions. It had been a vital encore piece since his first concert in Hungary in 1839. Inclusion in this volume of the first version of the piece known as the Mosonyi Funeral March (a forerunner of the much later No. 7 in the Hungarian Historical Portraits) is especially notable as its autograph manuscript only emerged recently. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. CONTENTS: 1. Rhapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 5 No. 12 Héroide élégiaque 2.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 6 No. 13 3.Rapsodien hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 7 No. 14 4.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 8 No. 15 5.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 9 No. 16 6.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 10 No. 17 7.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 18 8.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 19 9.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 20 10.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 21 11. Mosonyis Grabgeleit - Original version R 110, SW/SH 194, NG2 A249, 3rd conclusion or conclusion of the 2nd version of Historische ungarische Bilndnisse no. 7 (R 112/7, SW 205/7), SH 205a/7ii, (NG2 A335/7) 12.Dem Andenken Petofis. Mélodie R 111, SW/SH 195, NG2 A279 13.Appendix - Rákóczi-Marsch. Leichtere Version (Fragment) R-, SW-, SH 692d, NG2 A59 (simplified version) 14.Appendix - Rapsodies hongroises R-, SW-, SH 242a, NG2 A59 (simplified version) No. 13 Album leaf 15.Appendix - Ungarische Königslied R 215, SW/SH 544, NG2 A328 - Memorial leaf 16.Appendix - Album leaf R-, SW/SH-, NG2-.
SKU: BT.EMBZ14505
English-German-Hungarian.
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BT.EMBZ14505A
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: LM.P1811
ISBN 9790230926782.
Paysage (3e etude transcendante, livre I) - Mazeppa (4e etude transcendante, livre I) - Eroica (7e etude transcendante, livre I) - Melodie hongroise en Re b (L'Album du voyageur) - Impromptu en fa# majeur - Lamento (n. 2 des Trois Caprices poetiques) - Ballade en Si mineur - Le Lac de Wallenstadt (Annee de pelerinage en Suisse) - Vallee d'Obermann (Annee de pelerinage en Suisse) - Canzonetta del Salvator Rosa (Annee de pelerinage en Italie) - Sposalizio (Annee de pelerinage en Italie) - 10e etude transcendante en Fa mineur (livre II) - 5e etude, Il Flauto (d'apres Paganini) - Evocation (n. 1 des Consolations) - Chant elegiaque (n. 4 des Consolations) - Funerailles (des Harmonies poetiques et religieuses) - Pensees des Morts (des Harmonies poetiques et religieuses) - Fantaisie et Fugue sur B.A.C.H. - La Mort d'Iseult (Wagner) - 10e Rhapsodie.
SKU: CL.111-0030-20
2 Eb Alto Saxophones, Bb Tenor Saxophone, Eb Baritone Saxophone.
SKU: BT.DHP-1125274-070
9x12 inches.
Hungarian Rhapsody N° 2 is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set. Few other piano solos have achieved such widespread popularity, offering the pianist the opportunity to reveal exceptional skill as a virtuoso while providing an immediate and irresistible musical appeal for the listener.Both the original piano solo form and the orchestrated version of this composition have found widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.Composed in 1847 and dedicated to Count László Teleki, Hungarian Rhapsody N° 2 was first published as a pianosolo in 1851. Its immediate success and popularity on the concert stage soon led to an orchestrated version, arranged by the composer in collaboration with Franz Doppler. The Japanese composer Tohru Takahashi has made a splendid transcription of this great music for clarinet choir. A wonderful piece of music for an advanced ensemble! De Hongaarse rapsodie nr. 2 is verreweg de beroemdste uit een set van negentien Hongaarse rapsodieën van de hand van componist Franz Liszt. Er zijn maar weinig andere werken voor pianosolo die net zo geliefd zijn. De pianist krijgt in deze rapsodie de mogelijkheid om zijn of haar virtuositeit tentoon te spreiden en een directe, onweerstaanbare muzikale antrekkingskracht op de luisteraar uit te oefenen.Zowel de originele pianosolo als de georkestreerde versie van deze compositie is veel gebruikt in tekenfilms. De thema??s die erin voorkomen, hebben ook gediend als basis voor diverse populaire songs.De tweede Hongaarse rapsodie, die werd gecomponeerd in 1847 en isopgedragen aan graaf László Teleki, werd in 1851 voor het eerst uitgegeven als pianosolo, door Senff en Ricordi. Het onmiddellijke succes en de populariteit op het concertpodium leidden tot een georkestreerde versie, die de componist zelf maakte, in samenwerking met Franz Doppler.De Japanse componist Tohru Takahashi heeft deze prachtige muziek bewerkt tot een uitstekende transcriptie voor gevorderd klarinetensemble. Die Ungarische Rhapsodie Nr. 2 ist die bei weitem berühmteste der insgesamt neunzehn Ungarischen Rhapsodien von Franz Liszt und gehört zu den bekanntesten Werken für Klavier solo überhaupt. Virtuos und unwiderstehlich zieht es Zuhörer wie Interpreten gleicherma?en in seinen Bann. Sowohl das originale Klaviersolo als auch die orchestrierte Version dieser Komposition werden häufig in Zeichentrickfilmen verwendet. Die darin vorkommenden Themen dienten auch schon als Basis für diverse Popsongs.Die Ungarische Rhapsodie Nr. 2 aus dem Jahr 1847 wurde 1851 zunächst als Klaviersolo veröffentlicht. Der unmittelbare Erfolg und die Popularität auf der Konzertbühne führten zueiner orchestrierten Version, die der Komponist, in Zusammenarbeit mit Franz Doppler, selbst anfertigte.Die hier vorliegende ausgezeichnete Transkription für fortgeschrittenen Klarinettenchor stammt aus der Feder des japanischen Komponisten Tohru Takahashi. La Rhapsodie hongroise n° 2 est la deuxième d??une série de 19 Rhapsodies hongroises de Franz Liszt. Elle est de loin la plus célèbre de la série parce qu'elle permet au pianiste de révéler des compétences de virtuose tout en offrant l??auditeur un attrait immédiat et irrésistible.Que ce soit sous sa forme originale pour piano solo ou dans sa version orchestrale, cette composition a souvent été employée dans les dessins animés. Ses thèmes ont également inspiré plusieurs chansons populaires.Composée en 1847 et dédiée au comte László Teleki, la Rhapsodie hongroise n° 2 fut d??abord publiée pour piano solo en 1851 par Senff et Ricordi. Son succès immédiat et sapopularité dans les salles de concert engendrèrent rapidement une version pour orchestre, arrangée par le compositeur lui-même en collaboration avec Franz Doppler.Le compositeur japonais Tohru Takahashi a réalisé une splendide transcription de cette oeuvre pour ensemble de clarinettes. Une musique merveilleuse pour des musiciens avancés !
SKU: SU.00220551
This CD Sheet Music™ collection makes available over 200 works for flute with piano accompaniment by over 80 composers from the Baroque, Classical and Romantic periods. Works include: Adam (Hongroise), Anderson (Three Cadenzas for Mozart's Flute Concerto No. 2), CPE Bach (5 Sonatas), JCF Bach (Sonata Nos. 1&2), JS Bach (Sonatas, BWV 1030-1035), Barrère (Nocturne), Beethoven (6 Themes with Variations), Bizet (Minuet from L'Arlésienne), Blavet (Les Tendres Badinages), Booth (In the Woods at Evensong), Boulenger (D'un matin de Printemp, Briccialdi (Il Carnevale di Venezia, Bergmüller (Chanson), Busoni (Album Leaf), Caix d'Hervelois (La Bagatelle,Musette), Catherine (Arabesque), Daquin (Rigaudon), Debussy (Le Petit Berger, Rêverie, Arabesque No. 2), Donjon (Adagio Nobile, Invocation, Offertoire), Doppler (Fantaisie Pastorale Hongroise), Duvernoy (Intermezzo), Enesco (Cantabile & Presto), Fauré Berceuse, Sicilienne), Foote (3 Pieces for Flute & Piano), Gabriel-Marie (La Cinquantaine), Ganne (Andante & Scherzo), Gluck (Aria from Orphée, Ballet from Armide), Godard (The Idylle), Gossec (Timbourin), Graupner (Sonata Nos. 1&2), Grétry (Air lent), Griffes (Poem), Hahn (Variations on a Theme by Mozart), Handel (Sonata Nos. 1-7, Sonata Nos. 1-3 for Flute & Continuo), Hotteterre (Échos), Hullmandel (Menuet Champêtre), Kirchhoff (Rigaudon), Köhler (Valse Allemande), Krieger (Bourrée), Kuhlau (Divertimento Nos. 1-6, Grand Solo Nos. 1-3), Kuhnau (Gavotte and Bourrée), Latour (Theme in G major), Locatelli (3 Sonatas), Loeillet (Adagio, Gavotte), Lully (20 Pieces for Flute & Keyboard), Maganini (Sérénade), Marais (Les Folies d'Espagne), Marcello (Cantabile, Largo, Massenet (Meditation from Thaïs), Matheson (Sonata Nos. 1-12), Mendelssohn (Scherzo from A Midsummer Night's Dream), Molique (Andante), Moszkowski (Spanish Dances), Mouquet (La Flute de Pan), Mozart (Concerto Nos. 1&2, Sonata Nos. 1-6), Müthel Sonata in D), Offenbach (Barcarolle from The Tales of Hoffmann), Pergolesi (Aria), Pessard )Andalouse), Popp (Birdsong), Quantz (Sonata Nos. 1-6, Concerto in G), Rameau (La Livri), Reger (Burleske, Menuet and Gigue, Romance), Reinecke (Concerto for Flute in D, Sonata in E), Rheinberger (Rhapsodie), Rietz (Sonata), Rimsky-Korsakov (Flight of the Bumblebee), Sacchini (Andantino galante from Dardanus), Saint-Saëns (Romance, Odelette), A. Scarlatti (Minuet), Schers (Sarabande), Schubert (Introduction & Variations on a Theme), Schumann (Humming Song), Tafanel (Andante, Pastoral and Scherzettino, Telemann (Dolce, The Trusty Music Maker, Tosti (Good Bye), Verdi (La Traviata), Vivaldi (Sonata in C), Weber (Adagio), and more. Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2000+ pages
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: CL.WFR306
An incredible set utilizing recordings from the 19 volume Gems Of The Concert Band LP record series. These famous recordings were remarkable for the superlative interpretations and masterful performances of Leonard B. Smith and the Detroit Concert Band. Digitally remastered with the clarity of the original performances restored. A top notch band which produced great music... these are fabulous recordings. - Robert Peckham, Windjammers Unlimited Volume 1 - Great Performances Introduction to Act III of Lohengrin; Marche Militaire Francaise; Espana Rhapsody; Shepherd's Hey; Excerpts from Andrea Chenier; Dance of the Tumblers from Snegourotchka; Flight of the Bumblebee; Theme and Variations from Suite No. III; Marche Hongroise Rakoczy; Rhapsodic Dance; Bamboula; Clear Track Polka; Polka and Fugue from Schwanda the Bagpipe Player; Excerpts from Manzoni Requiem Volume 2 - Magnificent Marches Americans We; Chicago Tribune; Mainliner; Music Festival; Official West Point March; Spirit of Independence; The Chimes of Liberty; Valdres; World Events; Barnum and Bailey's Favorite; American Patrol; Jurisprudence; Bombasto; Boston Commandery; March of the Toys; On Jersey Shore; Second Regiment - Connecticut National Guard; The Joker; The March King; Under the Double Eagle; Gate City; Lights Out; American Red Cross March; Entry of the Gladiators; National Emblem March; Volume 3 - Music of the Masters March and Procession of Bacchus fromSylvia; Bacchanale from Samson and Delilah; Italian Polka; Slavonic Dance No. 3; Farandole from L'Arlesienne Suite; Finlandia; Golliwog's Cake Walk; The Kaffir on the Karoo; Fugue a la Gigue; Symphony No. 4 (Finale); Two Norwegian Dances; Hungarian Dance No. 5; Ecossaises; Second Hungarian Rhapsody Volume 4 - Virtuoso Soloists Carnival of Venice; Fantastic Polka; Believe Me; If All Those Endearing Young Charms; Rigoletto: Bella figlia del amore; The Bugler; Through the Air; Bugler's Holiday; Blue Bells of Scotland; Columbian Fantasy; The Bride Elect: An Awkward Complication This; Wood Up Quickstep; The Three Solitaires; The Southern Cross; Bravura Variations; My Heaven of Love; Atlantic Zephyrs; Land of the Free; Sextet: Chi mi frena... Volume 5 - Legendary Overtures Zampa Overture; La Forza del Destino Overture; Light Cavalry Overture; Oberon Overture; Raymond Overture; Ruy Blas Overture; Egmont Overture; Roman Carnival Overture; William Tell Overture.
